The Deadly Rhythms for String Quartet in Werckmeister III
World Premiere
Anti-Social Music
Sunday, May 9, 7pm
Renee Weiler Concert Hall
@ Greenwich House Music School
46 Barrow Street, NYC
$10
Sunday, May 9, 2004, the Anti-Social Music Quartet debuts Alfred Giusto's "Deadly Rhythms" for String Quartet in Werckmeister III, in twelve movements. With influences from Shostakovich to Robert Johnson to Slayer, Giusto has created a completely new niche in string quartet writing. The piece is written in Werckmeister III, a system of well-temperament that consists of twelve notes with 39 distinct and different size intervals originally developed in 1691. Giusto has added polyrhythms and microtonal inflections from the 72 note system designed by Ezra Sims (also used by Joeseph Maneri).
The Anti Social Music Quartet consists of Jean Cook, violin, Emily Schelstrate, violin, Leanne Darling, viola, and Loren Dempster, cello. An extremely talented quartet that is able to handle all of the polyrhytms and microtones that Giusto could throw their way, they have already premiered one movement at an Anti-Social Music bi-annual Premieres concert. The success of that premiere led them to work for months on developing the entire work for a premiere.
JEAN COOK PLAYS VIOLIN.
SOME WORDS FROM HER ABOUT THE DEADLY RHYTHMS:
How hard was it for you to adapt to the new tuning? Did you reach a point where you felt like you could "hear" the tuning, or is it still muscle memory for the intonation?
"I'm a bit of a control freak, so it was terrifying. If you think of tempered tuning as the Crayola 8, Werckmeister III was Al coming up to me and saying "I only work with Burnt Sienna, Melon, Salmon, Thistle, Spring Green, Bittersweet, Orchid and Apricot. You need to take these colors you've been working with, and give them these in between, yet exact shades. These are all colors we know and have done before, but for me never in such an exact and precise way."
At this point we've been rehearsing on and off for about six months and we've developed a few tools to help coach us through practices. Loren made this fabulous file using Max/MSP that generates sine waves in the correct pitches that we used to make tuning and practice CDs. Al's provided us with other practice CDs he jiggered too. Luckily for me I haven't really had to learn a lot of other music lately so I've been keeping Werckmeister III in my ear pretty regularly."
ABOUT AL GIUSTO
Alfred Giusto, born January 27, 1969, studied jazz guitar, jazz composition, and classical guitar as a teenager. He enrolled in Berklee College of Music and then transferred to New England Conservatory, in which he studied composition with Robert Ceeley, William Thomas McKinley, and Joseph Gabriel Maneri. Under Mr. Maneri's tutelage, Al began studying microtonal composition and the Schoenberg Harnony Method.
From 1999-2001, Al studied counterpoint with Leo Edwards, professor at the Mannes College of Music. Al is also a board member of The American Festival of Microtonal Music here in New York City and has futhered his knowledge of microtones through his discussions with Johnny Reinhard.
In 1995, Mr. Giusto's orchestral piece, Peace Cow, was released on MMC Recordings, Ltd. In 1999, the Flux Quartet performed the world premiere of Fear at New York University and since then have made it a part of their standard repertoire performing it at Miller Theater, Columbia University, the Oslo Kammermusik Festival, and the Melbourne Festival in Australia. Ill-Tempered for harpsichord, was performed at the 2000 Microthon in New York City. In 2001, as a member of the three piece band Blackgrass, they were featured on the recording Black Rose Liberation by Dr. Isreal. In April of 2003, Al performed and premiered his solo guitar pieces at Micro Fest, NYC and at the Long Island Guitar Festival, C.W. Post Campus, L.I. University. Thrash, the twelfth movement of The Deadly Rhythms was premiered by The Anti-Social Music Quartet at Cami Hall in Oct, 2003.
Al's also a fretless guitar player and loves Kung Fu and Slayer. His self released solo guitar CD, Giusto Fretless Resonator (Werckmeister III), is currently available. Any questions or for further info contact atempogiusto@yahoo.com.
Past Performances:
- ASM Drinks Alone... again May 9, 2013
- A S M: A Ca Pe La April 26, 2013
- SHOWDOWN @ JACK! February 18, 2013
- Anti-Social Music Distracts You on a Stressful Night November 6, 2012
- Diana's Opening Night October 20, 2012
- Anti-Social Music Takes it to 11! March 9, 2012
- New Music from Ukraine February 7, 2012
- Cloud Bridge, Detroit - with Warren Defever (His Name Is Alive) October 14-16, 2011
- Look Out, Sarah Lawrence September 28, 2011
- Nono Muchmore Warp(ed) Festival September 17, 2011
- ASM Resurrected (10th Anniversary!) April 29, 2011
- Triangle - A Puppet Play with Live Music! March 24-26, 2011
- Slumming in the Slope March 4, 2011
- ASM Back at Union Pool! December 8, 2010
- ASM Tours to Ukraine! October 30 - November 7, 2010
- ASM Gets On a Plane! October 23, 2010
- New Music Bake Sale September 25, 2010
- Elvis Tribute To End All Elvis Tributes August 16, 2010
- ASM Dips Skinny! Union Pool Party June 30, 2010
- Mucho Mas Muchomas! May 27, 2010
- Papacookie Potluck May 14, 2010
- Democracy! March 25, 2010
- Little ASM, come blow your trumpet January 14, 2010
- ASM Gives Kamala Money November 24, 2009
- ASM Goes (for) Broke! June 25, 2009
- Lonewolf Tribe Benefit May 2, 2009
- New Music Smackdown! April 2, 2009
- Anti-Social Music... Drinks Alone March 6, 2009
- The Glorified Rehearsal! February 17, 2009
- Election Night Spectacular! November 4, 2008
- ASM Blows! September 28, 2008
- Whistling Pigs! June 19, 2008
- Playing Some Music March 13, 2008
- COME TO THE FRONT! February 24, 25, 27, 2008
- Muchmore Music — Muchmore Pierogies December 13, 2007
- Feeling Conservative? November 10, 2007
- OOTASM!!! September 30, 2007
- Mohair Time Warp Redux June 27, 2007
- I HATE SEA BASS: On Willful Obscurantism in William Brittelle's Mohair Time Warp June 8, 2007
- Anti-Social Music Gets Toasted, Visits Bucolic Wonderland May 12, 2007
- änti-söcial müsic dons heavy-metal umlauts April 22, 2007
- ASM: STUCK ON CAPS LOCK April 4, 2007
- Get Your Resolutions on with ASM! January 13, 2007
- The Climax of the Octopus December 2, 2006
- ASM's Gone Soft November 10, 2006
- Give US a Chance October 22, 2006
- Come Out the Wilderness! September 19-21, 2006
- Nitration! June 25 / July 1 & 2, 2006
- ASM at Sarah Lawrence and The Rat Land March 29 / April 4, 2006
- ASM Hits the Medium Time February 23, 2006
- ASM Purls Two January 19, 2006
- ASM Does NOT Sing the Great American Songbook December 10, 2005
- ASM Gives Feedback in Philly November 12, 2005
- His Name is ASM! September 17, 2005
- ASM Titters Coyly September 8-10, 2005
- Spooning with ASM May 21, 2005
- AWOL for ASM February 8 & 18, 2005
- ASM Sleeps Around! December 10, 2004
- ASM Splits the Difference October 8, 2004
- ASM Family Reunion in DC August 28, 2004
- Joe Maneri's Unknown Chamber Works August 14, 2004
- Gin and Tonic? Try ASM and Tonic! July 11, 2004
- The Deadly Rhythms! May 9, 2004
- Insert funny here... April 18, 2004
- ASM saves Tokyo! March 13, 2004
- Late-notice Jersey January 4, 2004
- ASM vs Guignol November 24, 2003
- Hallowmas! October 31, 2003
- ASM on the road, again October 17-19, 2003
- ASM Sings and Plays Out of Tune October 11, 2003
- Return to Galapagos! June 7, 2003
- New Music...With Moxie! February 22, 2003
- Look Ma! Indie opera! January 23-25, 2003
- Don't you just hate that obnoxious little Darwin? October 19, 2002
- What's that Lassie? August 24, 2002
- Very Bad Gothic Poetry August 3, 2002
- ASM stole my girlfriend July 4, 2002
- Try not to break the fine china June 21, 2002
- Bored at work tomorrow? June 20, 2002
- Oasis Grab Bag May 11, 2002
- Dig it -- We're Incorporated! December 1, 2001
- An Afternoon of Anti-Social Chamber Music! March 25, 2001